The Journal of Transformative Technologies (JoTT) is an annual, open-access, online postgraduate publication edited by graduate students affiliated with the Transformative Technologies Research Unit (TTRU) at The University of Melbourne. The journal’s primary themes are around technology and culture, with each issue organised around a central topic. For a list of current issue topics see the Call For Papers section.
As a journal committed to supporting new and novel forms of cultural production, we encourage the submission of non-traditional and non-linear works. Along with ‘traditional’ submissions, such as articles, reviews, and interviews, we also accept the submission of creative and non-linear works. Non-linear works can be presented using any format and on any platform (e.g. Youtube, Vimeo, VR, Twine) as long as the work itself can be embedded within the journal’s interface and respond to the issue’s central topic.
All abstract submissions should be sent to firstname.lastname@example.org for acceptance before full article submission. If you wish to submit an article to JoTT, please ensure that it addresses the central topic of the issue it is intended for. Off-topic submissions will not be considered.
Please note that while the JoTT editors will happily work with authors to prepare articles for publication, submissions should conform to our house style and referencing guide. Submissions that do not follow our house style and referencing guide will be returned to authors for revision to meet these guidelines.
Note: Submissions should be formatted in 1.5-spaced, 12-point Times New Roman font and should not include tabs or section breaks. Number all pages, starting with the title page.
Spelling should conform to either Australian or Oxford standards (words ending ‘-ise’ or ‘-ize’ are both acceptable, but avoid American spellings, i.e. ‘color’, ‘analyze’, ‘center’, etc.).
Hyphenate compound adjectives (“an eighteenth-century painting”, “a working-class hero”) but do not use hyphens between adjectives and nouns (“a painting from the eighteenth century”, “a hero of the working class”).
Use footnotes, not endnotes
Tip: Notes should only expand on a point or include observations or background information not essential to the paper’s argument, and not be employed as a dumping ground for long lists of references or key arguments – these should be kept in the main text.
3. Acronyms and abbreviations
Explain each and every first occurrence. Example: “World Trade Organisation (WTO)”. “WTO” may then be used for the rest of the article. Use full stops after an abbreviation (e.g., i.e.) but not a contraction (Mr, eds, vol). Do not use full stops with abbreviations consisting of capitals (NSW, RSPCA, PhD).
Always write out the full name and title of a public figure in the first instance; do not assume the reader will know every prominent figure. Example: “US President Barack Obama”, “Australian Prime Minister Julia Gillard”. “President Obama” or “Obama” and “Gillard” or “Ms Gillard” may then be used for the rest of the article.
Use numerals for all numbers above ten, except at the beginning of a sentence. Numbers that are indefinite (“about a thousand”, “more than thirty”) should be rendered in words. Numbers below 9999 do not require commas. Use commas in numbers above 9999 (12,563).
Percentages should be written as “39 percent” in the text, but “39%” in tables. Use figures for sums of money, weights, measures and times.
5. Dates and times
Dates should be written in the day-month-year format. Example: “Samuel Johnson died on 13 December 1784.”
Decades should be rendered as 1970s, not 1970’s, ’70s or seventies. Times should be written as 7am, 11pm and 7.30am, 11.45pm.
Spans of years should be written as 2004–05 except when referring to a financial year, where 2004/05 should be used.
6. Person and use of gender pronoun
Use “they” or “their”, not he/she, for the third person singular pronoun. Favour the universal second-person pronoun “you” over the indefinite third-person pronoun “one”.
Use double quotation marks for quotes. Single quotation marks should be used for quotations within quotations. Example:
In Crowds and Power, Canetti (1960, p. 38) describes the Standing on Arafat, in which pilgrims listen to the sermon of a preacher: “His sermon is an uninterrupted glorification of God and the pilgrims respond with one formula, repeated a thousand times: ‘We wait for your commands, O Lord. We wait for your commands’.”
(In the example above, the quote from Canetti is enclosed by double quotation marks, while single quotation marks surround the words of the pilgrims that Canetti quotes at this point.)
Quotations of more than 50 words (or 4 lines) should be indented on the left and separated from the main text by paragraph breaks above and below.
All quotations from published works should be rendered exactly as they were published. Do not alter spelling or punctuation, even to suit house style. If it is necessary to insert words to clarify a quote, put them between square brackets. Example: “The discovery of this bird [the Paradise Pigeon] saved the Norfolk Island settlement from starvation.”
Ellipses (…) should be used to mark any cuts. Example: “The troops at the Somme… suffered from damp, cold and exposure”. An ellipsis at the end of a sentence replaces the full stop. Example: “She established the company in 1993… Within two years it had a turnover of $30 million.”
Referencing and Citation
The JoTT uses the APA style for referencing and citations. Any submissions that do not adhere to these guidelines will be returned to authors to address this before we send them for review.
In-text citations should be enclosed in parentheses, in the following order: last name of the author, year of publication, page number(s). For the first mention of an author use their full name then refer to them by their surname thereafter.
1. Single author
For indirect quotations, include the author’s surname and year of publication. Examples:
Historically, the study of communication technologies has focused on their content at the expense of the technologies themselves (Kittler, 1999).
As both Habermas (1966) and Rawls (1971) argue, rational thought is essential to the proper functioning of a democratic public sphere.
For direct quotations, also include the page number (preceded by the abbreviation ‘p.’, or ‘pp.’ for multiple pages). Examples:
As Baudrillard (1994, p. 1) writes, “the simulacrum is never that which conceals the truth”.
According to Spoo, critics of A Portrait of the Artist as a Young Man “have suggested that one source of Stephen’s historical nightmare may be his callow aestheticism” which reveals “an ambivalence on his part toward history and historical knowledge” (1994, pp. 39-40).
Note: For quotations with no page number (i.e. from a website or online journal article) write “no page” in the first instance (Bruns, 2008, no page), then use the abbreviation “n.p.” for the rest of the paper (Bruns, 2008, n.p.).
2. Multiple authors
For publications with two authors, list both authors’ surnames, separated by “and”, not “&”. Example:
In parasocial relationships “the interaction, characteristically, is one-sided, non dialectical, controlled by the performer, and not susceptible to mutual development” (Horton and Wohl, 1956, p. 215).
For publications with three or more authors, include the first or main author of the publication followed by the abbreviation et al (Castells et al, 2007). Include all subsequent names of the authors in the references at the end of the paper.
3. Multiple quotations and lists
For multiple quotations, separate each publication by a semicolon. List them in alphabetical order. Example:
There is a plethora of contemporary literature on the emergence of global cities (Castells, 1996; Latham and Sassen, 2005; Leach, 2001; Sassen, 2001).
If there are two different authors with the same last name, distinguish them by the initial of their first name (J. Mitchell, 2004; W. Mitchell, 1998). For publications published in the same year by the same author distinguish each one with a letter of the alphabet (Lovink, 2008a, 2008b).
When quoting a specific webpage or online article, such as an online journal article, news story, podcast or weblog post, use an in-text citation and include the details of the webpage in the list of references at the end of the article (see information on referencing webpages in the ‘Reference Guide’ section below). Example:
A recent report by the Australian government recommends using new technologies to “achieve a more consultative, participatory and transparent government” (Government 2.0 Taskforce Report, 2009).
However, when mentioning or directing readers to generic websites (such as search engines, social networking sites, Wikipedia articles, corporate websites, etc), simply include a hyperlink to the website (ensuring that the text displayed is descriptive) in the text and do not include it in the list of references. Examples:
The Wikipedia entry on media studies lists a wide range of disciplines as influences in the historical development of the field.
Barack Obama’s Twitter profile is used in conjunction with other social networking initiatives from the White House website such as its weblog and podcasts to promote its e-democracy credentials.
If you wish to embed multimedia content created by someone other than yourself in the article, include the name of the author and the source (i.e. URL, name and date of the newspaper/magazine/etc in which it appeared) below where you intend for the image/video/audio file to appear, as well as the relevant copyright licence which might apply (see the ‘Guidelines for Embedding Multimedia’ below for more information about this). At the end of the article, provide a ‘List of figures’ with the details of all multimedia content included in the article.
All referenced publications must appear at the end of the document in alphabetical order; include any additional resources not cited in the text in a separate bibliography entitled ‘Further Reading’.
Do not list publications from different media under separate headings, for instance ‘Literature’, ‘Websites’, etc. However, if the document includes a lengthy list of electronic media sources such as films, music, or videogames these may be listed under a separate Filmography or Discography.
Burke, K. (1969). A Rhetoric of Motives. Berkeley: University of California Press.
Lash, S. & Lury, C. (2007). The Global Culture Industry. Cambridge, UK: Polity Press.
Zielinski, S. (2006). Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means (G. Custance, Trans.). Cambridge, MA: MIT Press.
2a. Edited books
Fuller, M. (Ed.). (2008) Software Studies: A Lexicon. Cambridge, MA: MIT Press.
Mitchell, W. J. T. and Hansen, M. (Eds.). (2010). Critical Terms for Media Studies. Chicago: Chicago University Press.
2b. Book chapter
Tomlinson, J. (2003). Globalization and Cultural Identity. In D. Held & A. McGrew (Eds.), The Global Transformations Reader (2nd ed., pp. 269–272).
Cambridge, UK: Polity Press.
3. Journal articles
Deleuze, G. (1992, Winter). Postscript on the Societies of Control. October, 59, 3-7.
Katz, E., & Liebes, T. (2007). ‘No More Peace!’: How Disaster, Terror and War Have Upstaged Media Events. International Journal of Communication, 1(2), 157-166.
Kellner, D. (2009). Barack Obama and Celebrity Spectacle. International Journal of Communication, 3, 715-741.
4. Online journal articles
Chin, E. (2010). Bearing Witness – Between the Professional and the Personal: An Interview with Daniel Dayan. PLATFORM: Journal of Media and Communication 2(1), 34-45. Retrieved from /platform/resources/vol2_1/PlatformVol2Issue1_Dayan.pdf
Rossiter, N. (2003). Report: Creative Labour and the Role of Intellectual Property. Fibreculture Journal, 1. Retrieved from http://one.fibreculturejournal.org/fcj-001
5. Newspaper articles
Kelly, F., & Twomey, J. (2005, 8 July) Suicide Bomber Sat Next to Me… and Blew Bus Up. Daily Express, p. N2.
6. Unpublished thesis, dissertation or manuscript
Leorke, D. (2008). The Rhetoric of Play: Locative Gaming and the Global City. Unpublished Minor Thesis, The University of Melbourne, Melbourne, Australia.
7a. Webpage (author and date known)
Government 2.0 Taskforce Report. (2009). Engage: Getting on With Government 2.0. Retrieved 21 July, 2010 from http://www.finance.gov.au/publications/gov20taskforcereport/
Singel, R. (2009). Google Uncensors China Search Engine, Wired.com. Retrieved 21 July, 2010 from http://www.wired.com/epicenter/2010/03/google-uncensors-china-search-engine/
7b. Webpage (author unknown)
Which Political Leaders Have Given the Best Political Speech? (2009). Retrieved 21 July, 2010 from http://www.fpolitics.com/political-leaders
7c. Webpage (date unkown)
Metacritic. (n.d.). The Wire Season 4. Retrieved 21 July, 2010 from http://www.metacritic.com/tv/shows/wireseason4
O’Hagan, A. (2009, 2 December). Andrew O’Hagan on Samuel Johnson. The New York Review of Books. Podcast retrieved from http://www.nybooks.com/podcasts/issues/2009/dec/02/andrew-ohagan-on-samuel-johnson/
9. Message posted to online discussion group/forum/blog
Simons, M. (2010, 29 June). Google Compromises on China. Message posted to http://blogs.crikey.com.au/contentmakers/2010/06/29/google-compromises-on-china/
Stalder, F. (2010, 1 July). ‹nettime› Autonomy and Control in the Era of Post-Privacy. Message posted to http://www.nettime.org/Lists-Archives/nettime-l-1007/msg00000.html
10. Films and videogames
David Fincher. (2010). The Social Network.
Rockstar San Diego. (2010). Red Dead Redemption.
All authors contributing to the JoTT (including thematic articles, essays, reviews, interviews, creative and non-linear works) must sign a licensing agreement conferring rights to the University of Melbourne, as the publisher of the journal, to upload their publication on the JoTT website, change formatting, use work for JoTT promotional material, and re-publish in printed anthologies. As part of the licensing agreement, authors must also choose a copyright licence, which determines the rights of the public to use or reuse their contribution.
As part of our commitment to open access, JoTT encourages the use of open content licences such as Creative Commons in the distribution of content published in this journal. In line with JoTT’s commitment to open access, by default content created by the journal (such as editorials) is released to the world under a Creative Commons Attribution 4.0 International licence. This is a very broad copyright licence that permits end-users to share and remix the work, including for commercial purposes, as long as they attribute JoTT and/or the author of the work.
If you want your submission to be made available to the public on the same terms, please indicate the ‘Creative Commons Attribution 4.0 International licence’ as your selection on the ‘Publication Licensing Agreement’ below. Alternatively, you may wish to select one of the other five Creative Commons licences. These licences provide similar rights to share the material, subject to restrictions on commercial use and/or remixing of the work. Authors are also welcome to choose the traditional All Rights Reserved licence option for their work. A fact sheet describing the different licences and what they mean is available at https://creativecommons.org/licenses/
Authors can download the JoTT Licence Agreement here:
Note: Licence agreements must be signed and emailed to email@example.com